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Friday, April 5, 2013

This essay describes the events leading up to the International Style of architecture being used in America, the architects who led this movement and what their accomplishments were.

One common criticism of modern architects such as Mies caravan der Rohe and Walter Gropius is that while their goals might have been laudable, the execution and physical construction of their beliefs is somehow disconnected from the culture in which it grew out of. As ineffective as critics might say this call was, there is gigantic importance in the entire movement do in architecture during the mid-twentieth century. Understanding where the International room came from, who was involved and what accomplishments were made will allow us to appreciate the architecture we propose around us everyday.

The International Style began as a movement in architecture known as Bauhaus. This was a German expression use for house for building. Bauhaus became an institution from which a hot social order would arise. Walter Gropius was the head of this institution, but once the Nazis close down down the school, the Functionalists as they were known, emigrated to the U.S. The Functionalists included Gropius, Mies van der Rohe and others. The term International Style was used to describe the American form of Bauhaus architecture. Common characteristics of International Style buildings are rectangular forms that have been completely stripped of utilize decoration, visually weightless qualities, open interior spaces, and an stimulating stand with geometry. Glass, steel, and reinforced concrete are the characteristic materials of construction. The International style grew from three phenomena that architects had to deal with.

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The first problem was the incorporating mix of decorative elements from different architectural periods that had little or no tattle to the buildings functions. The second was the development and use of iron, steel, glass, and reinforced concrete, and thirdly the scotch creation of mass numbers of office buildings. These three phenomena essentially outlined the search for an economical architecture that would use the stark naked materials and still...

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